Label: Crimson Road Productions
Song titles: Don’t Stop Running; God’s Been Faithful; When the King Comes To Claim His Throne; Thanks to Calvary; I’ll Go Over Jordan Someday; Man of Sorrows; Your Walk Talks; To Know He Knows Me; I’ll Take It To The Grave; I Wouldn’t Have It Any Other Way
The Mark Trammell Quartet has had quite a time since their last release of new songs (Testimony in 2010. They’ve released three projects of mostly older material since). The lineup on Testimony included tenor Joel Wood, lead Dustin Sweatman, baritone Mark Trammell, and bass Pat Barker. During the span from then to now, Wood left and original tenor Eric Phillips rejoined the group. Sweatman came off the road and Mark’s son, Nick, stepped into the role. Phillips then left the road again, and the group was left looking for a tenor. After a trial run, Dustin Black was eventually named as the new guy.
Despite these transitions, the group has not rested on its laurels. This project serves as a debut for two things: a new sound/lineup for the group, and the birth of a new record company in Crimson River Productions. With stakes as high as these, one would be forgiven for wondering if this project collapses under the weight of its own promise. It does not.
The wait for truly new music from the Mark Trammell Quartet has been long (four years), but worth it. While the better-known projects in the group’s discograpy have been pretty ballad centric, this one only has one such track in “Man of Sorrows.” That is certainly a strong track, but one will probably think of the upbeat songs when recalling this CD. “When The King Comes To Claim His Throne” and “I’ll Take It To The Grave” are two major standouts, one telling of the milennial reign and the other celebrating the joy and peace that we have forever in Christ. On the other end of the tempo scale, “God’s Been Faithful” and “Thanks to Calvary” are worth mentioning. The latter is the George Younce signature, and while it doesn’t stray too far from the original, it is a fitting tribute in the context of the recent Cathedral Family Reunion.
I have alluded to the “new sound” that debuts with this project, and that’s one of the reasons I appreciate this release. The difference is most evident with the tenor part. Though no one could truly duplicate the sound the group had with Eric Phillips, Joel Wood was a hire that had a similar tone, so the group’s sound never really wavered from what it used to be. Dustin Black, on the other hand, is another matter entirely. Phillips made the MTT/MTQ unique because of his through-the-roof notes and consistently high harmonies; Black makes them unique by having a different sound from any tenor on the road, and while he is not as stratospherical as Phillips, his blend with the group is smoother. His feature at the end of the project, “I Wouldn’t Have It Any Other Way,” is a perfect showcase of this, though “I’ll Take It To The Grave” sounds like one they would have done with Phillips.
MTQ continues their line of strong song choices and a recognizable sound with Your Walk Talks, and this will undoubtedly be seen as one of the best quartet releases in 2014. It receives 4 stars.