Aaron Swain's blog about Southern Gospel Music, News, and other items of interest in the SG world.
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NQC 2009: Friday Night

September 19, 2009 By: Aaron Category: Brian Free And Assurance, Gaither Vocal Band, Gene McDonald, NQC 2009, SG Artists, SG Industry News, SG Music, The Inspirations

NQC has but one night left before it’s all winded down. It’s time, once again, for a brief look at what transpired:

1. Most poignant moment of the night goes to Jeremy Lile’s feature on “Save Me A Seat At The Table.” For those who don’t know why this particular performance was different than any other, I’ll explain. Jeremy’s father was dying of cancer this week, which is why Jeremy wasn’t there Monday and Jeff Chapman filled in. His dad passed away on Wednesday, the funeral was today and Jeremy took off as soon as the burial was over and got there 45 minutes before Assurance’s set.

Brian announced all that from the stage and had Jeremy sing “Save Me A Seat At The Table” as a tribute to his dad. He faltered a little bit on the first chorus, then regrouped for the rest of the song and made it all the way till the last phrase and just broke down. The guys made a circle around him and he got a standing ovation, and yes, the whole place stood. Easily one of the most touching and moving moments this week.

2. The Gaither Vocal Band’s set was a good one, with each vocalist being featured in equal prominence. Wes Hampton impressed me with his verse on “I Believe In A Hill Called Mount Calvary,” and also taking the final chorus. Listening to the Reunited project, I had thought those were David Phelps’ features, and maybe they are on the CD, but Wes really did a bang-up job with them.

Another highlight was Bill playing the piano while the rest of the GVB (minus Hampton until the encore) sang “Hide Thou Me,” joined by surprise guest Gene McDonald to fill the bass part. If Bill ever retires, he needs to tap McDonald to fill that spot in the Vocal Band. I would have liked it better if the sound technicians had actually had Gene’s mic set at a decent level.

3. Is it just me, or do The Inspirations sound very similar to that of the lineup of the 70s? Tenor Dallas Rogers sounds like the Archie Watkins of that era, and the group’s overall sound is familar enough to please older fans, while fresh enough to catch others’ attention.

I’m not even going to give the sound a point tonight. Anybody who’s been reading this week probably can guess what I’d say anyway.

Anything else?

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